Serena Smith












Ekphrasis: inscriptions on wood and stone.  IMPACT Printmaking Journal. Issue 1 Spring 2020.

On the underside of these flayed strips highways of woodworm furrows are etched into the bast. Close up the outer surfaces scarred and callused, depict traces of microclimate and the attentive labour of human hands. Their decay halted temporarily by my curiosity, I consider these shards of wood. The iterative patterns of growth determined by genus, the history worn in each crevice and crease, and the small round holes signalling the flight paths of previous inhabitants. Distinctly round, these holes the size of pin heads pepper the bark’s surface. Each one puncturing the wrinkled membrane like a radiographer’s tattoo (...) >> 



Reside Residency 2016

At a first glance, not to disturb the ground I trod carefully, thinking the creature might still be there. But on closer inspection the snake had gone, eased itself out, neatly shed the skin, and moved on; leaving behind this translucent doppelganger, a ghostlike facsimile of every scale.

 For millennia, this elegant undressing must have been repeated. Remembered in the tracery of this discarded shell; imprinted in the geometric design of interlocking filigree; duplicated in each cell of the intricate patina; returned to and replayed, each time the same but different; the force of nature’s habit (...)  >>

The Reside Residency writings are published in the bookwork Ecdysis >>









   
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